Bahia Blanca: "A la ciudad que me vió nacer"Ever since Sally Potter danced her “Milonga Triste” to this tango with Fabian Salas and Gustavo Naveira in an abandoned barber’s shop, we have been blessed with a veritable potpourri of interpretations of El Señor de Tango’s signature tune.
We know that Carlos Di Sarli was born in Bahía Blanca, and that he had tenderly dedicated the score of his composition to the city of his birth. We also know that this is a beautiful tango, filled with feeling and nostalgia. But what does it all really mean?
Since neither Man Yung nor I can ever profess to know anything, we can only humbly look to that venerable institution YouTube for answers. And in YouTube, not only is there potpourri - if you wish to go by the thesaurus, you may also find a ragbag, assortment, hodgepodge, collection, jumble, variety, medley, assembly – all in all, a cornucopia with a random sprinkling of cambalache:
Osvaldo Zotto and Lorena Ermocida
Question: "Mr. Zotto, what does it all really mean?"
Answer: "It means that Ms. Ermocida dances robotically without regard to following the lead while trying to do as many adornments as the music cannot possibly allow. We hope that people will look past the music and concentrate on her footwork. Because if they can't get the music (and I bet you 99% never will), at least they will get an opportunity to fiddle with their feet. You are aware, of course, that Ms. Ermocida is part of a very lucrative "Lady's Tango Week" festival every year? You should go. Not only will you learn lots of extra adornments - you also get to gawk at Pablo Veron!"
Daniel Naccuchio and Cristina Sosa
"Ouch! My back is so straight I am literally giving myself a hernia. That's the key to winning the Campeonato - stiff upper back and plenty of enrosques. What was the question again? Oh, the music - of course it means, 'swirly feet, swirly feet, double swirly feet' - is there any better way to evoke the notion of 'ocean'? No, to interpret this tune you don't need to follow the music - ever hear about water having musicality? Ridiculous."
Chicho and Lucia Mazer
Man Yung: "Actually, this is not at all bad. Chicho's musicality is pretty good - not 100% dead on, but mostly fine. This is one of the highlights of CITA 2004, in fact. Too bad stuff like this has set off an explosion of 'Folks, it is now acceptable to dance bad nuevo to good traditional tangos.'"
Fabian Peralta and Virginia Pandolfi
Man Yung: "This is a surprise, Peralta looks like he is concentrating real hard on interpreting this! I don't think I've actually seen him dance better. Except that his partner is sometimes going faster than he is leading."
Irene: "Do you think that green tea + Ovaltine would be a good ice cream flavour? .... Oh, you were talking about Fabian Peralta."
Orlando Paiva Jr. and Mariana Meling
Man Yung: "Watching this, I'm starting to feel a little Bahía Blanca."
Irene: "You dissed this two years ago when you first saw it. I told you it was pretty good."
Man Yung: "He wasn't dead on with the music 100% of the time the last time I saw this - and he still isn't dead on."
Orlanda Paiva and Geraldine Rojas in “Assassination Tango”
Man Yung: "What little we could see of the performance is pretty darn good. Can you see that Geraldine does not do a single adornment from the moment she starts dancing to the moment that the camera cuts away to the shot of the people gabbing?"
Irene: "Too bad that most followers are only taking notice of Geraldine when Geraldine is adorning - rather than when she is not."